In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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コンテンツは HeadStuff Podcasts によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、HeadStuff Podcasts またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
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#107 | Kate McCullough | DOP
Manage episode 264474706 series 2284297
コンテンツは HeadStuff Podcasts によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、HeadStuff Podcasts またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
We talk obstacles to Women in Film, Shooting THAT scene in Normal People and Kate's love for documentaries. Kate received the Golden Frog for Best Cinematography on a Docudrama ‘I Dolours’ at Camerimage 2018. In the same year she was nominated for an Emmy for her work on ‘The Farthest’. The Hollywood Reporter listed McCullough as top 10 to watch in Irish Film Industry 2017. More recently she was nominated for the IMAGO award 2019 for her work on ‘The Farthest’. Upon completing her studies at The National Film School, Lodz, Poland, McCullough shot the Irish box office hit ‘His and Hers’. This film went on to win the ‘World Cinematography Award in Documentary’, Sundance 2010. More recently Kate's Credits include Can't Cope Won't Cope, The Tv Drama Blood, Arracht and the wildly popular Normal People for BBC/RTE. Kate is a member of the Irish Society of Cinematographers.
FNI@HOME IS BACK AND IS PROUDLY SUPPORTING THE CHILDREN’S AMBULANCE SERVICE BUMBLEANCE FOR THIS OUR LARGEST FNI@HOME EVENT TO DATE. WE'RE DELIGHTED TO BE HIJACKED FOR OUR LATEST PROGRAMME BY THE LONGEST SERVING AND LARGEST FILM FESTIVAL IN IRELAND:
THE CORK INTERNATIONAL FILM FESTIVAL. More info/Reserve a spot for free here: https://wearefni.com/
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FNI@HOME IS BACK AND IS PROUDLY SUPPORTING THE CHILDREN’S AMBULANCE SERVICE BUMBLEANCE FOR THIS OUR LARGEST FNI@HOME EVENT TO DATE. WE'RE DELIGHTED TO BE HIJACKED FOR OUR LATEST PROGRAMME BY THE LONGEST SERVING AND LARGEST FILM FESTIVAL IN IRELAND:
THE CORK INTERNATIONAL FILM FESTIVAL. More info/Reserve a spot for free here: https://wearefni.com/
Learn more about your ad choices. Visit megaphone.fm/adchoices
205 つのエピソード
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Manage episode 264474706 series 2284297
コンテンツは HeadStuff Podcasts によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、HeadStuff Podcasts またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal。
We talk obstacles to Women in Film, Shooting THAT scene in Normal People and Kate's love for documentaries. Kate received the Golden Frog for Best Cinematography on a Docudrama ‘I Dolours’ at Camerimage 2018. In the same year she was nominated for an Emmy for her work on ‘The Farthest’. The Hollywood Reporter listed McCullough as top 10 to watch in Irish Film Industry 2017. More recently she was nominated for the IMAGO award 2019 for her work on ‘The Farthest’. Upon completing her studies at The National Film School, Lodz, Poland, McCullough shot the Irish box office hit ‘His and Hers’. This film went on to win the ‘World Cinematography Award in Documentary’, Sundance 2010. More recently Kate's Credits include Can't Cope Won't Cope, The Tv Drama Blood, Arracht and the wildly popular Normal People for BBC/RTE. Kate is a member of the Irish Society of Cinematographers.
FNI@HOME IS BACK AND IS PROUDLY SUPPORTING THE CHILDREN’S AMBULANCE SERVICE BUMBLEANCE FOR THIS OUR LARGEST FNI@HOME EVENT TO DATE. WE'RE DELIGHTED TO BE HIJACKED FOR OUR LATEST PROGRAMME BY THE LONGEST SERVING AND LARGEST FILM FESTIVAL IN IRELAND:
THE CORK INTERNATIONAL FILM FESTIVAL. More info/Reserve a spot for free here: https://wearefni.com/
…
continue reading
FNI@HOME IS BACK AND IS PROUDLY SUPPORTING THE CHILDREN’S AMBULANCE SERVICE BUMBLEANCE FOR THIS OUR LARGEST FNI@HOME EVENT TO DATE. WE'RE DELIGHTED TO BE HIJACKED FOR OUR LATEST PROGRAMME BY THE LONGEST SERVING AND LARGEST FILM FESTIVAL IN IRELAND:
THE CORK INTERNATIONAL FILM FESTIVAL. More info/Reserve a spot for free here: https://wearefni.com/
Learn more about your ad choices. Visit megaphone.fm/adchoices
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FNI Wrap Chatに似ているもの
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Determining if all these so called classic films are indeed just that.
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
What To Watch is Entertainment Weekly's daily guide to the shows that should be on your radar -- be it network, cable, premium or streaming! Hosted by Gerrad Hall.
…
continue reading
Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
…
continue reading
Comedian and actor Gilbert Gottfried, a man Stephen King once called “a national treasure,” talks with the show business legends, icons and behind-the-scenes talents who shaped his childhood and influenced his comedy. Along with co-host and fellow pop culture fanatic Frank Santopadre, Gilbert is joined by comics, actors, musicians, talk show hosts, writers and other eyewitnesses to Hollywood history, including Bruce Dern, Chevy Chase, “Weird Al” Yankovic, Adam West, Steve Buscemi, Micky Dole ...
…
continue reading
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…
continue reading
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…
continue reading
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