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コンテンツは Fantastika Journal によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Fantastika Journal またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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Arboreal Em/bodiment

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Manage episode 345979963 series 3006759
コンテンツは Fantastika Journal によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Fantastika Journal またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

This podcast is part of the Bodily Transgressions in Fantastika Media Symposium.
Join the discussion on discord (https://discord.gg/zsMTBcnTcC) or on our Round Table Discussions on 12 November 2022 (https://us06web.zoom.us/j/84956184046). See www.fantastikajournal.com for details

Background music by scottholmesmusic.com
Podcast by
: Sonakshi Srivastava
Arboreal Em/bodiment:
Subjectivity, Silence, and Vegetal Future in Han Kang

Content Warning: rape, suicide
Keywords: cannibalism, consumption, body, arboreal, fantasy
When Yeong-hye, the protagonist of Han Kang’s novel, The Vegetarian, makes a dietary choice independent of any prior discussion with her husband, and maternal family, everyone is taken by surprise. The choice of giving up meat and animal products (eggs and milk) induces much anxiety amongst her kin, who fail to rationalise her aberrant behaviour and see reason in her “dreams” – ultimately incarcerating her in a psychic hospital.
The disobedient act of giving up meat and ultimately food itself along with Yeong-hye’s refusal to “speak” about this choice trigger the action in the novel since the act of eating with the family provides a ready setting in which “individual personalities develop, kinship obligations emerge, and the customs of the group are reinforced” (Fiddes). We routinely use food to express relationships among ourselves and with our environment. The obtaining and consuming of food can be an eloquent statement of shared ideology.
Yeong-hye’s refusal of meat, and her refusal to inhabit her “fleshly body” is seen as an “interruption” in the regular routine of the ordinary world of her husband, and family.
Yeong-hye gradually begins to make an escape from the regular world and begins to believe that she is turning into a tree – her fantastical construction of an alternative reality forms the crux of this paper. I will attempt to delineate how such radical imaginings serve to pronounce underlying inequalities in inhabiting gendered bodies that also inform acts of consumption. What does Yeong-hye’s fantastic arboreal world tell us about our entangled living(s)? By referencing Sumana Roy’s and Kiran Desai’s works, I will attempt to answer these questions.

About the Author: Sonakshi Srivastava is a writing tutor at Ashoka University, and an MPhil scholar at Indraprastha University. Her research is at the intersection of food futures, speculative fictions, and the Anthropocene. She is a South Asia Speaks Translation Fellow from the class of 2021, and was also shortlisted for the Food Serendipity Lab.
Disclaimer
: The information and ideas in these podcasts are the property of the speakers. Fantastika Journal operates under the Creative Commons Licence CCBY-NC. This allows for the reproduction or transcription of podcasts for non-commercial uses, only with the appropriate citation information. All rights belong to the author.
The views expressed in these podcasts do not necessarily reflect the opinions of Fantastika Journal and its editorial board.

Transcripts have been provided by the author and there may be small changes between the written script and audio recording. We apologize for any errors.

  continue reading

30 つのエピソード

Artwork
iconシェア
 
Manage episode 345979963 series 3006759
コンテンツは Fantastika Journal によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Fantastika Journal またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作物をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

This podcast is part of the Bodily Transgressions in Fantastika Media Symposium.
Join the discussion on discord (https://discord.gg/zsMTBcnTcC) or on our Round Table Discussions on 12 November 2022 (https://us06web.zoom.us/j/84956184046). See www.fantastikajournal.com for details

Background music by scottholmesmusic.com
Podcast by
: Sonakshi Srivastava
Arboreal Em/bodiment:
Subjectivity, Silence, and Vegetal Future in Han Kang

Content Warning: rape, suicide
Keywords: cannibalism, consumption, body, arboreal, fantasy
When Yeong-hye, the protagonist of Han Kang’s novel, The Vegetarian, makes a dietary choice independent of any prior discussion with her husband, and maternal family, everyone is taken by surprise. The choice of giving up meat and animal products (eggs and milk) induces much anxiety amongst her kin, who fail to rationalise her aberrant behaviour and see reason in her “dreams” – ultimately incarcerating her in a psychic hospital.
The disobedient act of giving up meat and ultimately food itself along with Yeong-hye’s refusal to “speak” about this choice trigger the action in the novel since the act of eating with the family provides a ready setting in which “individual personalities develop, kinship obligations emerge, and the customs of the group are reinforced” (Fiddes). We routinely use food to express relationships among ourselves and with our environment. The obtaining and consuming of food can be an eloquent statement of shared ideology.
Yeong-hye’s refusal of meat, and her refusal to inhabit her “fleshly body” is seen as an “interruption” in the regular routine of the ordinary world of her husband, and family.
Yeong-hye gradually begins to make an escape from the regular world and begins to believe that she is turning into a tree – her fantastical construction of an alternative reality forms the crux of this paper. I will attempt to delineate how such radical imaginings serve to pronounce underlying inequalities in inhabiting gendered bodies that also inform acts of consumption. What does Yeong-hye’s fantastic arboreal world tell us about our entangled living(s)? By referencing Sumana Roy’s and Kiran Desai’s works, I will attempt to answer these questions.

About the Author: Sonakshi Srivastava is a writing tutor at Ashoka University, and an MPhil scholar at Indraprastha University. Her research is at the intersection of food futures, speculative fictions, and the Anthropocene. She is a South Asia Speaks Translation Fellow from the class of 2021, and was also shortlisted for the Food Serendipity Lab.
Disclaimer
: The information and ideas in these podcasts are the property of the speakers. Fantastika Journal operates under the Creative Commons Licence CCBY-NC. This allows for the reproduction or transcription of podcasts for non-commercial uses, only with the appropriate citation information. All rights belong to the author.
The views expressed in these podcasts do not necessarily reflect the opinions of Fantastika Journal and its editorial board.

Transcripts have been provided by the author and there may be small changes between the written script and audio recording. We apologize for any errors.

  continue reading

30 つのエピソード

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