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コンテンツは Anna Keizer & Derek Dehanke, Anna Keizer, and Derek Dehanke によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Anna Keizer & Derek Dehanke, Anna Keizer, and Derek Dehanke またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
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Big Trouble in Little China

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Manage episode 272669430 series 2792619
コンテンツは Anna Keizer & Derek Dehanke, Anna Keizer, and Derek Dehanke によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Anna Keizer & Derek Dehanke, Anna Keizer, and Derek Dehanke またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Yes, sir, the check is in the mail! With special guest Owen Croak, Anna and Derek discuss the Kurt Russell starrer and John Carpenter cult classic, Big Trouble in Little China (1986).
Connect with '80s Movie Montage on Facebook, Twitter or Instagram! It's the same handle for all three... @80smontagepod.
Facebook: https://www.facebook.com/80sMontagePod
Twitter: https://twitter.com/80sMontagePod
Instagram: https://www.instagram.com/80smontagepod/
Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there’s that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.
Owen Croak is one of those screenwriters who thought he was too responsible to be a “real” writer. Then he had emergency surgery, got fired, and decided he’d rather spend his time writing about time-travelers, aliens, and superheroes. In addition to being published in the Los Angeles Times, his work has placed in the 2022 Creative Screenwriting Unique Voices competition and in the Austin Film Festival Script competition for the last three years in a row.

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111 つのエピソード

Artwork
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Manage episode 272669430 series 2792619
コンテンツは Anna Keizer & Derek Dehanke, Anna Keizer, and Derek Dehanke によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Anna Keizer & Derek Dehanke, Anna Keizer, and Derek Dehanke またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal

Yes, sir, the check is in the mail! With special guest Owen Croak, Anna and Derek discuss the Kurt Russell starrer and John Carpenter cult classic, Big Trouble in Little China (1986).
Connect with '80s Movie Montage on Facebook, Twitter or Instagram! It's the same handle for all three... @80smontagepod.
Facebook: https://www.facebook.com/80sMontagePod
Twitter: https://twitter.com/80sMontagePod
Instagram: https://www.instagram.com/80smontagepod/
Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there’s that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.
Owen Croak is one of those screenwriters who thought he was too responsible to be a “real” writer. Then he had emergency surgery, got fired, and decided he’d rather spend his time writing about time-travelers, aliens, and superheroes. In addition to being published in the Los Angeles Times, his work has placed in the 2022 Creative Screenwriting Unique Voices competition and in the Austin Film Festival Script competition for the last three years in a row.

  continue reading

111 つのエピソード

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