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Wordsworth's Prelude of 1805

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When? This feed was archived on October 01, 2021 05:07 (2+ y ago). Last successful fetch was on July 06, 2021 19:08 (2+ y ago)

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What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

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コンテンツは Jennifer Pollard and Cambridge University によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Jennifer Pollard and Cambridge University またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
Tuesday 26 October 2010 saw a marathon event in the Faculty of English. Faculty members read all of Wordsworth's substantial poem "The Prelude" live and online. The entire reading took approximately ten hours. This reading is a deliberate sequel to our reading of Milton's great poem "Paradise Lost" (twelve hours long) in 2008, which was part of the celebrations for Milton's four-hundredth birthday. Wordsworth fought as a poet to break free from Milton's influence, and yet he chose to write his greatest poem, "The Prelude", in a style which imitates - and in some lines, directly borrows from - Milton's poem. Yet the topic is totally different. "The Prelude" is an autobiography, and surveys Wordsworth's childhood, time in Cambridge and early travels. It thinks through his ideas about the imagination, individual poetic genius, revolution and youthful rebellion, writing's relationship to everyday life, the awesomeness of nature, and in particular the Lake District (which Wordsworth and his friends made famous). We'll be reading the version which Wordsworth wrote in 1805, while he was at the height of his poetic powers. (He later rewrote and, in most people's opinion, ruined, the poem as he aged.) The readers include thirteen members of the Faculty of English in Cambridge, including several authorities on Wordsworth such as Prof. Heather Glen and Dr Philip Connell, and on the Romantic poets more generally, such as Dr Mina Gorji and Dr Paul Chirico.
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Artwork

Wordsworth's Prelude of 1805

updated

iconシェア
 

アーカイブされたシリーズ ("無効なフィード" status)

When? This feed was archived on October 01, 2021 05:07 (2+ y ago). Last successful fetch was on July 06, 2021 19:08 (2+ y ago)

Why? 無効なフィード status. サーバーは持続期間に有効なポッドキャストのフィードを取得することができませんでした。

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1261430
コンテンツは Jennifer Pollard and Cambridge University によって提供されます。エピソード、グラフィック、ポッドキャストの説明を含むすべてのポッドキャスト コンテンツは、Jennifer Pollard and Cambridge University またはそのポッドキャスト プラットフォーム パートナーによって直接アップロードされ、提供されます。誰かがあなたの著作権で保護された作品をあなたの許可なく使用していると思われる場合は、ここで概説されているプロセスに従うことができますhttps://ja.player.fm/legal
Tuesday 26 October 2010 saw a marathon event in the Faculty of English. Faculty members read all of Wordsworth's substantial poem "The Prelude" live and online. The entire reading took approximately ten hours. This reading is a deliberate sequel to our reading of Milton's great poem "Paradise Lost" (twelve hours long) in 2008, which was part of the celebrations for Milton's four-hundredth birthday. Wordsworth fought as a poet to break free from Milton's influence, and yet he chose to write his greatest poem, "The Prelude", in a style which imitates - and in some lines, directly borrows from - Milton's poem. Yet the topic is totally different. "The Prelude" is an autobiography, and surveys Wordsworth's childhood, time in Cambridge and early travels. It thinks through his ideas about the imagination, individual poetic genius, revolution and youthful rebellion, writing's relationship to everyday life, the awesomeness of nature, and in particular the Lake District (which Wordsworth and his friends made famous). We'll be reading the version which Wordsworth wrote in 1805, while he was at the height of his poetic powers. (He later rewrote and, in most people's opinion, ruined, the poem as he aged.) The readers include thirteen members of the Faculty of English in Cambridge, including several authorities on Wordsworth such as Prof. Heather Glen and Dr Philip Connell, and on the Romantic poets more generally, such as Dr Mina Gorji and Dr Paul Chirico.
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