A Tune of the Week written in the late 1800's, considered a ragtime or tin pan alley tune. It's a tough one to play, especially having just learned it today, but it was also an unusual tune to figure out.Kerry Mills による

Reference recording for the tab posted--view my tabs here.mmuussiiccaall による

Clair De Lune by Claude Debussy, written in 1890Claude Debussy による

Slow Melody in 3/4 time from the year 1924.Edited by Rob MacKillop.I find that melody good for playing and learning with accents.Frank Littig による

A Tune of the Week written in the late 1800's, considered a ragtime or tin pan alley tune. It's a tough one to play, especially having just learned it today, but it was also an unusual tune to figure out.Kerry Mills による

mmuussiiccaall による

Reference recording for the tab posted--view my tabs here.mmuussiiccaall による

What I worked out in gEADE tuning for playing clawhammer with piano at a contra dance. (it's for a dancing, so it's fairly long)From a couple of years ago, first dance from long break of Covid. Was a bit rough.banjoak による

What I worked out in gEADE tuning for playing clawhammer with piano at a contra dance. (it's for a dancing, so it's fairly long)From a couple of years ago, first dance from long break of Covid. Was a bit rough.banjoak による

Playing around with gDGDE tuning.Also experimenting using BandLab app and some of built in fx and processing for mastering... to demo what it does (it is a bit much)banjoak による

Playing around with gDGDE tuning.Also experimenting using BandLab app and some of built in fx and processing for mastering... to demo what it does (it is a bit much)banjoak による

This was an experiment using iPhone and BandLab app for quick multitrack in kitchen.banjoak による

This was an experiment using iPhone and BandLab app for quick multitrack in kitchen.banjoak による

Reference recording for the tab posted--view my tabs here.mmuussiiccaall による

Reference recording for the tab posted--view my tabs here.mmuussiiccaall による

Ron Stewart による

Ron Stewart による

Old Kentucky crooked fiddle tunes are intriguing and Hiram Stamper is an authentic learning resource in my book. Bruce Greene recorded this one and it was tricky to arrange. I got some help listening to George Jackson, the New Zealander old-time player that's a pleasure to hear.JanetB による

Old Kentucky crooked fiddle tunes are intriguing and Hiram Stamper is an authentic learning resource in my book. Bruce Greene recorded this one and it was tricky to arrange. I got some help listening to George Jackson, the New Zealander old-time player that's a pleasure to hear.JanetB による

peterpeter による

Clair De Lune by Claude Debussy, written in 1890Claude Debussy による

jef による

jef による

From the playing of an Alabama fiddler, Paisley Hagood. Mostly he plays ABAB, which is kind of a treat after always playing AABBAABB. The high note in the A part gives it an ancient tone feeling for me.JanetB による

From the playing of an Alabama fiddler, Paisley Hagood. Mostly he plays ABAB, which is kind of a treat after always playing AABBAABB. The high note in the A part gives it an ancient tone feeling for me.JanetB による

Reference recording for the tab posted--view my tabs here.dbrooks による

Reference recording for the tab posted--view my tabs here.dbrooks による

I found this on a tape I thought I'd lost. It's a twin-banjo version of 'Home Sweet Home', recorded in 1978 with two cassette players! Just the once through.Payne and Bishop (public domain) による

I found this on a tape I thought I'd lost. It's a twin-banjo version of 'Home Sweet Home', recorded in 1978 with two cassette players! Just the once through.Payne and Bishop (public domain) による

Played in 3 finger bluegrass style. Key of G. Played on a 1930's vintage 10 3/4 Slingerland open back pot fitted with a new 5 string neck.hudie による

Played in 3 finger bluegrass style. Key of G. Played on a 1930's vintage 10 3/4 Slingerland open back pot fitted with a new 5 string neck.hudie による

Ron Stewart による

Ron Stewart による

Reference recording for the tab posted--view my tabs here.dbrooks による

Reference recording for the tab posted--view my tabs here.dbrooks による

Slow Melody in 3/4 time from the year 1924.Edited by Rob MacKillop.I find that melody good for playing and learning with accents.Frank Littig による

It's rare to work on a jig with clawhammer. This is a sweet tune with a real Irish (to my ears) melody. Its minor tones make it a bit bittersweet.JanetB による

It's rare to work on a jig with clawhammer. This is a sweet tune with a real Irish (to my ears) melody. Its minor tones make it a bit bittersweet.JanetB による

Reference recording for the tab posted--view my tabs here.dbrooks による

Reference recording for the tab posted--view my tabs here.dbrooks による

Reference recording for the tab posted--view my tabs here.Earl Scruggs による

Reference recording for the tab posted--view my tabs here.Earl Scruggs による

Based on the playing of the Leslie Riddle and the Carter Family, the melody resembles White House Blues, an earlier song, and is included in a Tune of the Week featuring the latter. This recording was made when my husband, Kit, and I were performing locally at events focusing on local history. We liked choosing old-time tunes and songs and have a i…

Based on the playing of the Leslie Riddle and the Carter Family, the melody resembles White House Blues, an earlier song, and is included in a Tune of the Week featuring the latter. This recording was made when my husband, Kit, and I were performing locally at events focusing on local history. We liked choosing old-time tunes and songs and have a i…

mmuussiiccaall による

mmuussiiccaall による

mmuussiiccaall による

Reference recording for the tab posted--view my tabs here.mmuussiiccaall による

Reference recording for the tab posted--view my tabs here.mmuussiiccaall による

Played on newly constructed parts banjo. Key of Ghudie による