0289 – Subduing Old Information: Examples

Get A Better Broadcast, Podcast and Voice-Over Voice

2021.10.16 – 0289 – Subduing Old Information: Examples

Let’s look at the idea of subduing old information with a few more examples:

· “The England football captain and other members of the team” – you would not highlight “team” as you have suggested that is what you’re referring to (with the use of the words “captain” and “other members”), and so would simply lift the word “other” and subdue “members of the team”

· “Prince Charles, Prince William and many of the Queen’s other relatives” – it is presumed perhaps from the context that the listener knows that Charles and William are some of the Queen’s relatives, and so we simply need to alert them to the fact that they were joined by other relatives too, and so we colour the word “other” and un-colour “relatives”.

· “The sale includes gold rings, bracelets, earrings and other jewellery” – rings, bracelets and earrings are all jewellery, but the sale includes additional items to many and various to be listed here (say, bangles, pendants, cufflinks, tie clips, nose rings…) which may all be considered jewellery too. So we highlight the individual items as they are all new, and then “other” but not the word “jewellery” (which we subdue) as that is inferred from the previously mentioned list.

Audio recording script and show notes (c) 2021 Peter Stewart

Through these around-5-minute episodes, you can build your confidence and competence with advice on breathing and reading, inflection and

projection, the roles played by better scripting and better sitting, mic techniques and voice care tips... with exercises and anecdotes from a career

spent in TV and radio studios. If you're wondering about how to start a podcast, or have had one for a while - download every episode!

And as themes develop over the weeks (that is, they are not random topics day-by-day), this is a free, course to help you GET A BETTER

BROADCAST, PODCAST AND VIDEO VOICE.

Look out for more details of the book during 2021.

Contacts: https://linktr.ee/Peter_Stewart

Peter has been around voice and audio all his working life and has trained hundreds of broadcasters in all styles of radio from pop music stations such as Capital FM and BBC Radio 1 to Heart FM, the classical music station BBC Radio 3 and regional BBC stations. He’s trained news presenters on regional TV, the BBC News Channel and on flagship programmes such as the BBC’s Panorama. Other trainees have been music presenters, breakfast show hosts, travel news presenters and voice-over artists.

He has written a number of books on audio and video presentation and production (“Essential Radio Journalism”, “JournoLists”, two editions of “Essential Radio Skills” and three editions of “Broadcast Journalism”) and has written on voice and presentation skills in the BBC’s in-house newspaper “Ariel”.

Peter has presented hundreds of radio shows (you may have heard him on BBC Radio 2, BBC Radio 4, Virgin Radio or Kiss, as well as BBC regional radio) with formats as diverse as music-presentation, interview shows, ‘special’ programmes for elections and budgets, live outside broadcasts and commentaries and even the occasional sports, gardening and dedication programmes. He has read several thousand news bulletins, and hosted nearly 2,000 podcast episodes, and is a vocal image consultant advising in all aspects of voice and speech training for presenters on radio and TV, podcasts and YouTube, voiceovers and videocalls.

The podcast title refers to those who may wish to change their speaking voice in some way. It is not a suggestion that anyone should, or be pressured into needing to. We love accents and dialects, and are well aware that how we speak changes over time. The key is: is your voice successfully communicating your message, so it is being understood (and potentially being acted upon) by your target audience?

This podcast is London-based and examples are spoken in the RP (Received Pronunciation) / standard-English / BBC English pronunciation, although invariably applicable to other languages, accents and dialects.

Music credits:

"Bleeping Demo" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/7012-bleeping-demo

License: https://filmmusic.io/standard-license

"Beauty Flow" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/5025-beauty-flow

License: https://filmmusic.io/standard-license

"Envision" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/4706-envision

License: https://filmmusic.io/standard-license

"Limit 70" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/5710-limit-70

License: https://filmmusic.io/standard-license

"Rising Tide" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

http://creativecommons.org/licenses/by/4.0/

Link: https://incompetech.filmmusic.io/song/5027-rising-tide

License: https://filmmusic.io/standard-license

"Wholesome" Kevin MacLeod (incompetech.com)

Licensed under Creative Commons: By Attribution 4.0 License

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Link: https://incompetech.filmmusic.io/song/5050-wholesome

License: https://filmmusic.io/standard-license

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